Saturday, January 22, 2011

Ice, Baby



Ice, Baby - written, edited and curated by Clifton Bertram

Shaken or stirred? The oft-posed question, surprisingly, is just the beginning. If you really want to mix the perfect cocktail - to prove you are cosmopolitan by demonstrating your skill at mixing up a Cosmopolitan, you need to pay close attention to one of the forgotten ingredients of the mixologist's art: ice. To understand the benefits and uses of ice in cocktails, we first turn to Oh Gosh!, a terrific blog by twentysomething Londoner Jay Hepburn.

Tips for Beginners: Ice by Jay Hepburn

Perhaps the most overlooked of all cocktail ingredients, ice plays several important roles in a cocktail. The first and most obvious is as an agent to cool the drink down whilst mixing. Coldness inhibits taste receptors in the tongue, which makes the drink more palatable and taste less, well, alcoholic. Try drinking neat vodka and ice-cold vodka and you’ll see what I mean. The ice also adds an amount of water to the drink, which further helps take the bite out of the alcohol, as well as bringing out the flavours.

The first cocktails I made were Cosmopolitans, which I concocted using a three-part cobbler shaker and about four small cubes of ice. At the time I only had one ice tray in the freezer, so I didn’t want to waste too many cubes on each drink. When I had finished shaking these cocktails, only very small bits of ice were left at the bottom of the tin. I didn’t see a problem with this… the ice had done it’s job right?

Wrong.

To read more of this content at Oh Gosh!, click here.



So, clearly, the composition, shape and size of your cubes is as important as any other ingredient in mixing the perfect refreshment. But reaching that alcoholic ideal is more difficult than might first appear, as Wired Magazine's Christopher Null recently found out.

Baby, it's Cold Inside: One Man's Search for the Perfect Ice Cuby by Christopher Null

Some say the world will end in fire. Some say it will end in ice. I hope it’s the latter. Finding a good ice cube to chill your cocktail is hell enough as it is.

Being serious about drinking means being serious about ice. And at a good bar, this is rarely a problem, as top bartenders have an easy shortcut: Kold-Draft icemakers. Kold-Draft’s perfect 1¼-inch cubes are legendary in the mixology scene, but the equipment isn’t remotely approachable for the home user: The company’s smallest unit ($2,500 street) produces 321 pounds of ice a day and weighs 174 pounds — and that’s without a bin to collect all the ice.

And so the real ice nuts have turned to hacking. My friend and fellow drinks-writer Camper English is so obsessed with ice that he freezes it at home in cooler-sized blocks in an attempt to create cubes of the perfect clarity for the sophisticate. It took him dozens of experiments, but he finally hit on the right formula, and Wired published it.

I don’t have the patience, time or physical space to generate ice by the cubic foot, so Wired.com asked me to find out how to get the very best cubes at home without resorting to getting rid of my frozen corn and IKEA meatballs.

To read more of this content at Wired Magazine, click here.

As Christopher Null points out, there are companies that are wisely focusing on providing a solution to the egregious ice gap in the provision of fine cocktail ingredients. Michel Dozois is just one of these.

The Iceman Cometh: The Rise of a Gourmet Ice Entrepreneur

Michel Dozois is pinning the success of his two-year old company on the dubious thrills of watching ice melt.

When courting new clients, Dozois, the owner of Los Angeles's Névé Luxury Ice Company, sits them down for a simple experiment. He fills two Old Fashioned glasses with ice—the first with conventional cubes, the second with his company's "ice rock," a single large cube, which takes up about 50 percent of the glass—and tops them with a dram of good whisky (his spirit of choice is Laphroig). Dozois then asks the potential clients to sit back and wait, allowing nature to take its course.

About every seven minutes, he asks the client to take a sip—first of the conventional drink where the ice is rapidly melting, then of the drink made with the sturdy opaque brick of Névé ice. The second shows minimal dilution; it's essentially whisky served neat, but much, much colder.

To read more of this content at The Atlantic, click here.

If you are having difficulty finding the perfect ice to put in your drink, you can at least surround yourself with cool at an Ice Bar, one of the latest trends in cocktail consumption. Ice bars are popping up all in major cities all over the world, from traditionally ice-friendly locations like Quebec City, Toronto and Chicago and even in more tropical climes such as Florida. One of these latter is the Minus 5 Ice Bar in Las Vegas.

Minus 5 Ice Bar - A Cool Las Vegas Experience

On our quest to find the Top 5 Las Vegas Cocktail Bars, we went to a number of different bars and clubs in Las Vegas in search of the perfect cocktail. In doing so, we found a bar that we felt was better visited for the experience of the bar than the cocktails it serves.

Minus 5º Ice Bar is located in both the Monte Carlo and in the Mandalay Bay (the Monte Carlo is slightly bigger, newer and less crowded). The cover charge for the bar (which starts at $25) includes entry into the bar, a parka, boots, and gloves to keep you warm, and your first cocktail. During off hours there are typically people standing outside the entry passing out cards for an additional free shot, which is worth snagging if you plan to go inside.

To read more of this content at Drink Spirits, click here.

Still, chilling yourself is much less efficient than chilling your beverage, and the always-efficient Japanese may have come up with the perfect way to do just that.

Want to Keep Your Drink From Getting Watered Down? It Takes Balls by Clifton Bertram

People are sometimes surprised to find that the Japanese like their whisky. But ever since In 1923 when Shinjiro Torii, the founder of Suntory and the father of Japanese whisky, built the country's first malt whisky distillery, the Japanese have increasingly appreciated the glories of the amber liquid. But, they don't like watered down whisky any more than you do, which is why they put their artisan's sensibilities to crafting the solution: the Ice Ball.



Of course, this could seem a bit too much like a bloodbath waiting to happen, especially if, like me, you are an amateur bartending who enjoys sampling one cocktail for every two that you make. Fortunately, there's a less-lethal solution, and one that carries the intact Japanese pedigree. As a public service, then, Midcentury Modernist introduces the Ice Ball Mold.



Just in case you can't afford high-priced imported bar gadgetry, we scoured the internet to come up alternatives, and found this at Answer.com: How Do You Make a Japanese Ice Ball. This useful article gives two or three methods, each easier than the previous.

Lastly, and because there's no end to our benificence at Midcentury Modernist, we leave you with the most affordable ice-shaping technology available, all centred around the venerable ice cube tray. There's a dizzying galaxy of choices available, from cubes ironically shaped like the Titanic, to cubes shaped like fish that you can fill with fruit juice that allow you to create your own aquarium in a highball glass. Check out the options at Hub Pages, Annie Spandex, or Odee.com. For truly nationalistic Canucks, there's even a tray that freezes ice in the shape of curling stones.

Cheers!

Friday, January 21, 2011

Norwegian Wood, and other substances


Scandinavian Design, as understood in the modern design marketplace and the secondary literature, is a major constituent of Western modernism in terms of style, influence, and popularity. Even through the recession, demand for vintage, high end craft production from Denmark, Sweden, and Finland remained strong. Left out of the mix, or at least neglected, has been design and decorative art from Norway.

I’m not sure why this is so--I think Norway’s population is smaller than her neighbors--but it is not from lack of a suitable attitude or effort in Norway. Listen to this introduction, from the booklet “Norwegian Arts and Crafts [and] Industrial Design,” published around 1960, which gives us a window into this subject:

To read more of this content at Interior Design, click here.

How the Digital World is Changing Our Homes


Our increasingly wireless, digital and networked world is changing the look, feel and function of our homes.

Just as the advent of television created the rec room in the heady '60s, helping to bring the family together for frozen meals and the Ed Sullivan Show, modern technology is now leading us to demand openconcept living spaces and instant connections to the world -- anywhere, anytime.

It's down with walls and up with wireless devices and touch screens.

The television -- the centrepiece of rooms for the last half-century -- may be on its way out. Hand-crafted and mixed-media designs are on their way in to decorate our openconcept, multi-use rooms.

So say some of the thinkers and designers gathering for Canada's largest contemporary design fair. The Interior Design Show (IDS), set to run in Toronto from Jan. 27 to 30 will feature 300 exhibitors and their cutting-edge design, as well as top designers and thinkers.

To read more of this content at the Ottawa Citizen, click here.

The Komodo Lounge presents UnderCover! A Selection of Spy, Secret Agent and Private Detective Tunes




In the mid-sixties, secret agents lurked under every bed, behind every curtain and down every darkened street. Sparked in large part by the ballistic success of Ian Fleming's 1950s James Bond movies and the movie franchise derived from them starting with 1962's Dr No.. As an emblematic cold war icon, the suave international spy infiltrated the popular imagination, in rock'n'roll music as firmly as it did the movies, especially as the lines between the two art forms became increasingly blurred.

The following dossier of open source intelligence is brought to you as a special presentation of The Komodo Lounge, but be quick. This blog posting will self-destruct in 30 seconds.

Agent Speciale by Bruno Nicolai (1966)

Bruno Nicolai was an Italian composer very active in the 1960s. A friend of Ennio Morricone's, Nicolai worked on literally dozens of soundtracks, including as the music director for The Good, the Bad and the Ugly. One of the scores he composed was this secret agent track for the Eurotrash spy flick Upperseven: The Man to Kill. The vocals in this version of the tune are provided by Sabina Montes.



Secret Service by Syd Dale

If Nicolai had a UK counterpart, it was almost certainly Syd Dale, founder of Amphonic Music and a composer of funk-based scores that ensured he would become renowned as a pioneer of 'library music', also known as "stock music" or "production music", a genre in which the sainted Les Baxter is another titanic figure.



Action Girl '66 by Teddy Randazzo (1966)

In hopes of capitalizing on the success of The Man From U.N.C.L.E., a spin-off starring Stephanie Powers was launched in September 1966. Experiencing low ratings, 'The Girl From Uncle' was cancelled the next year after only 29 episodes, but not before inspiring songwriter and producer Teddy Randazzo to create this swingin' arrangement of the show's theme song.



Honey West by Joseph Mullendore (1965)

Anne Francis' private detective Honey West served as an early strong role model for a generation of young girls in the 60s, but that couldn't prevent the cancellation of the series as it faced insurmountable competition from Gomer Pyle USMC, which occupied the same time slot. The pert and period-representative theme for Honey West was composed by Joseph Mullendore, who wrote music for some of the most fondly remembered series of the decade, including Daniel Boone and Voyage to the Bottom of the Sea (1964), Lost in Space (1965), Star Trek (1966) and Land of the Giants (1968).




Emma Dancing by Unknown (1967)

The only female action star who possibly eclipsed Honey West in the pop pantheon would be Mrs Emma Peel, the catsuited karate practitioner who backed up John Steed in The Avengers. The following clip was chosen rather than the Avengers, because Mrs Peel's dancing in this vid so perfectly captures her self-assured insouciance, and it's a rather fab piece of period music, too (dig that organ!)



Fathom by John Dankworth

A caper film more than a spy or detective flick, Raquel Welch's Fathom has been included here solely on the strength of its opening credits. Camera movement, vivid and unified colour choices and the incomparable form of Ms Welch combine to produce one of the most arresting and original, yet simple, opening credit sequences of the decade. The theme opens with a hint of atonal free-jazz, but almost immediately blooms into a lush and florid full orchestration worthy of Phil Spector. Arguably, all the excesses of the entire era are cleverly combined in this little gem...



Modesty Blaise by John Dankworth (1966)

Starting life as a British comic strip character, Modesty Blaise was a former criminal mastermind who went straight and worked with the UK Secret Service in her retirement. In 1966, a comedy-thriller motion picture was made featuring the adventures of Ms Blaise, and scored by John Dankworth, earning him a second selection in tonight's playlist.



Mission Impossible Theme by Lalo Schifrin (1966)

It would be remiss in any list of this sort to leave out one of the most, er.... dynamite of them all, the theme that kicked of the adventures of Jim Phelps and his Impossible Mission Force (IMF) teammates. Bombastic, dynamic and undeniably thrilling, the influence of the theme can perhaps best be measured by the calibre of those who've covered and/or updated it: U2, Danny Elfman, Limp Bizkit, et al. And, just because it's just so damn boss, we're including two versions for your listening pleasure. You're welcome.



Mission Impossible Theme by Henry Mancini (1968)

This is from The Big Latin Band of Henry Mancini, an album full of soundtracks, including the main themes from The Good, the Bad and the Ugly, Touch of Evil and The Magnificent Seven.



Of course, as iconic as the Mission Impossible theme is, when it comes to the spy genre, nothing is more iconic than James Bond. Not only did the Bond movies set the standard for all the pretenders to follow, but the title themes for the movies have become absolute classics in their own right. Besides the iconic main title theme, the most incendiary of these title themes has to be Shirley Bassey's explosive rendering of the Goldfinger main title.



James Bond Theme by Montie Norman (1962)

Lastly, here's that iconic main title theme, performed by the amazing Count Basie and his orchestra. This Montie Norman tune has been used in every 'official' Bond movie since Dr No.



KOMODO LOUNGE BONUS TRACK!

James Bond with Bongos by John Barry (1963)

John Barry has also been credited with writing the title theme, but given that Montie Norman collects the royalties, it's more likely that Barry created the definitive arrangement of the tune, with this hipster version featured in From Russia With Love being the earliest example. Guitar in this performance comes courtesy of the legendary Vic Flick.

Monday, January 3, 2011

Modernist Materialism - A Collection of Recent Retro Products







Fish Condo by Umbra

"Yes, this is a modernist-style house for your fish, designed by Teddy Luong and with the option to add other floors by simply buying an extra one. The inner glass bowl is removable for cleaning, with the outer shell made of durable ABS plastic."

LOL!

To find out more, got to Retro-to-Go.

8mm Vintage Camera App Brings You Awesome Retro Video Effects

"There is an interesting new video photography app called, 8mm Vintage Camera by Nexvio, Inc., that brings your iPhone and iPod Touch back in time to capture the beauty and magic of old school vintage movies.

It accomplishes this by mixing and matching different films and lenses and it does a good job of it. The total number of combinations allow you to get a glimpse into retro filming with 25 old school looks from bygone eras. It even comes complete with retro colors, flickering video, light leaks, dust and scratches (my favorite), and frame jitters. You can add any of these to your video with a flick of your finger."

For more info, go to Cult of Mac.

Polaroid Sticker for Your iPhone

"Do you find yourself slapping all those retro filters on photos that you take with your iPhone 4? Sure, the image sensor technology in the device has come a long way – backlit sensors, larger pixels, better low-light capture, touch focus/light-metering options – but it just doesn’t look as cool as a scratched up Polaroid that has weathered over time, right?

Now you can take things a step further by tacking on some stickers for your device that says, “Hey, my gadget is made of glass, steel and silicon, fits in my pocket and has a processor more powerful than ones found in computers over 20 years ago, but I’ve got this ironic sticker on it that just screams retro.”

More info at into mobile.

Analarm Wristwatch

"Hate the buzzer alarm clock, as I do? Radio station alarm mode not up to the task? Maybe vibration will get you out of bed. Since vibrating beds are expensive and a bit tacky, check out this Analarm wristwatch instead."

For more info, go to Gizmodo.

Toy Robot USB Flash Drive

"This USB flash drive from the Spanish company Deego is too cute for words. It’s clearly not the sort of robot that kills. He’s more the kind you find in a retro toy chest. He’s styled like an old classic toy robot figure."

For more info, go to Slippery Brick.

Eirikur Smith - Icelandic Modernism



"“Icelandic Modernism” is the second exhibition in a series at Hafnarborg, Hafnarfjördur Centre of Culture and Fine Art, which celebrates the versatile career of Eiríkur Smith, who was born in Hafnarfjördur in 1925. This exhibition primarily consists of his early modernist paintings that are influenced by nature."

To read more of this content at 'What's On - Iceland', click here.

The Komodo Lounge presents Stripped! A Selection of Primal and Proto-Punk Garage Rock


Those who luxuriated too long in a reefer haze in Strawberry Fields, or needed Mick and the gang to come to their Emotional Rescue, can be forgiven for forgetting that the early days of the British Invasion ushered in a brief and shining moment in music history that lasted from 1963 to 1967.

A sub-genre 'Golden Age' the garage rock years were influenced by the raw and stripped-down sound of the early Beatles and Stones (think of the fuzzbox driven 'Satisfaction'). Inspired, bands, all over America - not to mention Europe - pulled out their dusty Rickenbackers and started thrashing out chords in their garages. The DIY ethic of garage rock coupled with droning, buzzbomb guitars, hoarse-shouted vocals and minimalistic instrumentation to create a level playing field on which the disaffected youth of the day, the rock generation, could play out their fantasies of teenage rock'n'roll mayhem.

It was a short, shining moment with most of the garage bands of the mid-Sixties either tiring of the limitations of the form and following the Beatles on the quest for the perfect psychedelic trip in the wake of Sgt Pepper, or fading into obscurity. But for those few years, the garage milieu was so omnipresent that young Americans, in particular couldn't miss being influenced by it. The MC5, the Stooges and the Ramones served as the bridge from the fuzzbox garage rockers to the explosion of punk that took the music world by storm in the 1970s and saved the world from disco.

Today, garage rock is experiencing a well-deserved revival, as exemplified by acts such as Black Keys, Eagles of Death Metal, The Hives and Jet. But for now, Komodo Lounge hopes to provide some exposure for the genre's pioneers and unsung heroes.

Speak of the Devil by Things to Come (1966)

Coming out of Long Beach, California, Things to Come was formed in 1965 by vocalist Steve Runolfsson (vocals), Lynn Rominger (guitar), Bryan Garofalo (bass) and Russ Kunkel (drums). Listening to Runolfsson's deadpan vocal delivery (if not his snarling and growling), and given their home range, you've gotta wonder if Morrison - whose Doors also formed in '65 - ever saw these guys...



Makin' Love by the Dirty Shames (1966)

This track was a B-side of another garage classic, I Don't Care, and was a cover of a song originally performed by label-mates from Impression Records, The Sloths. The band's fate was sealed when they lost two members to the Vietnam draft, and today the group's leader, Marty Wons, is a realtor in San Diego.



[Unknown Song Title] by the Shags (circa 1965?)

Not to be confused with the monster garage band of the same name out of New Haven, Connecticut, these Shags were formed in Winnipeg in the mid-1960s by Bob (Blackie) Fitzsimmons and Clive Perry, and eventually would feature Greg Leskiw, who would go on to join the Guess Who. Hopefully Randy Bachman will talk about the Shags some night on Vinyl Tap!



Shake, Shout and Go by Brian Diamond and the Cutters (1964)

More or less contemporaries of the Beatles, Brian Diamond and the Cutters released their first single in 1963, Jealousy Will Get You Nowhere, but it sank virtually without a trace. This track, Shake, Shout and Go received somewhat more attention, and now we know where the B-52s stole the riff for Rock Lobster from...



Death Bells at Dawn by The Lords (1966)

Although they recorded for a professional label, Aldrich Records, it's not easy to find much information about New-Jersey-based group, The Lords. With this track, Death Bells at Dawn, they exemplified the move into psychedelia that so many garage bands would make, and also serves as a precursor to the much later Goth and dirge rock, for whom The Velvet Underground were to serve as godfathers.



Turn Over by Les Goths

Speaking of Goth...check out this number, courtesy of French garage rockers Les Goths, out of Normandy. Definitely diving into psych territory, they followed it up in '68 with their second and last single, Out of the Sun, a full-blown psychedelic trip.



Pipe Dream by Blues Magoos (1966)

Arguably the most famous name on the Komodo Lounge's list tonight is The Blues Magoos, who not only served as garage rock icons, but were also early pioneers in the infant psychedelic movement. This track is from their debut album, Psychedelic Lollipop, and served as the b-side to their second single, although it actually charted higher than the single did,



Just Dropped in by Kenny Rogers and the First Edition (1968)

Hoo boy...! Just had to add this, as proof that Kenny Rogers had a life before he became "The Gambler" and recorded Islands in the Stream with Dolly Parton. This track is said to be a cautionary tale against the dangers of LSD....



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To finish things off, we present a grand example of the modern incarnation of garage rock. For your listening pleasure, here's Way Out by Heavy Trash formed in 2005 by Jon Spencer of Jon Spencer Blues Explosion.